NSK v madridski Reini Sofii

Dnevnik, 26. junij ― Predsednik Borut Pahor bo danes začel dvodnevni obisk v Španiji, kjer bo v torek skupaj s španskim kraljem Felipejem VI. v slovitem madridskem muzeju Reina Sofia odprl razstavo Neue Slowenische Kunst: Od Kapitala do kapitala. Razstava, ki je bila...
NINA ČELHAR in BORIS BEJA: NEKONKRETNO

NINA ČELHAR in BORIS BEJA: NEKONKRETNO

Sodobna umetnost (Aljoša Abrahamsberg), 23. junij ― Boris Beja in Nina Čelhar: Nekonkretno Na skupni razstavi z naslovom Nekonkretno so v sklopu seriala Inside Out predstavljena nova/novejša dela Borisa Beje in Nine Čelhar. Njuni praksi se često subtilno povezujeta na različnih pomenskih ravneh, saj trenutno oba obravnavata pojav, rabo in razumevanje betona kot tistega materiala, ki je ključno zaznamoval moderno dobo in zato na sebi nosi številne simbolne pomene. Boris Beja and Nina Čelhar: Inconcrete At a joint exhibition entitled Inconcrete, the new/newer works by Boris Beja and Nina Čelhar are presented as a part of the serial Inside Out. Their practices often subtly intertwine on different levels of meaning, since they are currently both focused on the occurrence, use and understanding of concrete as a material which crucially marked the modern age and thus carries various symbolic meanings. In the past century, the achievements in the areas of society, culture and art were frequently conditioned by the progress of technology. At the turn of the 19th and 20th century, industrial materials prevailed in applied arts and architecture. In buildings such as industrial plants or public exhibition grounds, the combination of steel and glass became prominent, while in the more representative construction, concrete gradually began to dominate as the ultimate raw and durable material that sums up and marks the modern age. However, concrete is not an invention of the modern era. It was known by various ancient peoples; for instance, it enabled the Roman civilisation to experience a great urban and artistic flourish with elements such as arches, vaults and domes. After centuries of abandonment, concrete reappeared in the 19th century as a by-product of industrial revolution, and after 1945, as a driving force behind the ambitious urban projects. If concrete is the main material of the collective housing units and public buildings, such as libraries and universities, the corporate world has, on the other hand, focused on the

V Muzeju umetnosti Guangdong na Kitajskem se je odprla razstava Simptomi družbe

MGML, 23. junij ― Muzej in galerije mesta Ljubljane se v Muzeju umetnosti Guangdong (Guangdong Museum of Art), enem najpomembnejših umetniških muzejev na Kitajskem, predstavlja z razstavo Simptomi družbe, ki jo kurira Alenka Gregorič, umetniška vodja in kustosinja Mestne galerije Ljubljana in KC Tobačna 001. Izbor del na razstavi, ki bo na ogled od 27. maja do 15. julija, predstavlja povezano sliko regije in v ospredje postavlja več kot trideset priznanih mednarodnih umetnikov ter umetnikov mlajše generacije.
Hirst, prerok ali manipulator?

Hirst, prerok ali manipulator?

Dnevnik, 23. junij ― Beneška razstava razvpitega britanskega umetnika Damiena Hirsta Zakladi s potopljene ladje Neverjetno, ki sovpada z Beneškim bienalom, je zelo kontroverzna. Desetletni avtorjev projekt se s 189 kosi bohoti v dveh uglednih beneških stavbah,...
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