Domen Ograjenšek, 24. september ― By the end of the millennium, record labels were already establishing a globalised market, selling a record amount of albums (with ever lower costs of production mostly due to the emergence of new recording technology, namely the CD), and thus gaining momentum at driving emotional and attentional investments of their consumers with a handful of … Continue reading "Fever Theory"
Domen Ograjenšek, 3. januar ― Nika Kupyrova, White Honey at Galerie 35m2, Prague,
5. 10. – 2. 11. 2018 (curated by Tereza Záchová)
Domen Ograjenšek, 22. november 2018 ― The iterations (one towel, two towels, three times a towel) follow in a line that reinstates the identity of an object, the identity of which was never at risk. No threat of dispersion in sight, no misuse of its meaning, function, cultural or societal role — yet they affirm their representational counterpart without ever becoming … Continue reading "Živa Božičnik Rebec – Towel Collection"
Domen Ograjenšek, 17. november 2018 ― Are you a Britney: has your entry into the art world been defined by a special naiveté, that in itself already showed signs of general awareness of being complacent to the power structures that run through it, leading you to dialectically shift from one node of complacency to another, hitting it with an umbrella, yet … Continue reading "What Kind of a Curator are You?"
Domen Ograjenšek, 14. junij 2018 ― Jon Derganc: Brezna 11 črno belih srebro-želatinskih fotografij, 2010 – 2011
Domen Ograjenšek, 12. april 2018 ― A short reflection (the second in the series) that focuses on the dynamics of the surface in contemporary art, specifically the recent tendency to patch that, which is in no need of patching, and the specific contemporary anxiety that accompanies it.
Domen Ograjenšek, 6. april 2018 ― The short reflection focuses on plaster as a materialisation of the paradox of abstraction within the formation of contemporary artistic positions.
Domen Ograjenšek, 26. oktober 2017 ― A short analysis of performances by Špela Petrič. The article touches on the difficulties of confronting plant life, the pros and cons of figurative means of expression, and the stubborn vestiges of anthropocentrism.
Domen Ograjenšek, 11. september 2017 ― A short walk through the practice of the Vienna-based artist, Nicole Prutsch
Domen Ograjenšek, 21. april 2017 ― Andrej Škufca, Živa Božičnik Rebec, Kladnik&Neon - Next of Skin Glass atrium of Ljubljana Town Hall (10.-
Domen Ograjenšek, 7. marec 2017 ― Nicole Prutsch - La Méthode MUSA Museum Startgalerie Artothek, Vienna (
Domen Ograjenšek, 16. februar 2017 ― Exploring the notion of the artwork as a societal tool by analysing the work of Iza Pavlina and Jacques Ranciere. Setting ground for a critique of moralistic logic of sensation.