Radio Študent, 5. marec 2017 ― Tokrat v oddaji: Pregled programa na letošnjem že osmem Festivalu Tresk ter intervjuji z nekaterimi nastopajočimi: - intervju z Blažem Pavlico - intervju z Rokom Černičem iz Nesesari Kakalulu - intervju z ekipo Smrt boga in otrok v živo v studiu TRESK je vsakoletni glasbeno-založniški dogodek, ki predstavlja številne domače založnike, distributerje in ustvarjalce. Na tradicionalnem sejmišču, z vizualnimi natečaji, delavnicami in koncerti tematizira slovensko alternativno glasbeno sceno in plete socialno mrežo glasbenikov, vizualnih ustvarjalcev, založnikov, distributerjev, organizatorjev, medijev ter nenazadnje podpornikov in poslušalcev. Natečaj v sklopu Treska za najboljšo podobo albuma, najboljšo podobo koncertnega dogodka in koncertne fotografije - PRIJAVLJENA DELA!   Glasbeni program 1. dan v Kinu Šiška: Jani Kovačič in Ana Pupedan Carnaval Nesesari Kakalulu $MeR† ß0H∀ inu ؆RØkkk Glasbeni program 2. dan v Pritličju - internetne muzike: pavleisdead СОЧИ '91 Blaž Pavlica Noč   <a data-cke-saved-href="http://nesesarikakalulu.bandcamp.com/track/umpa" href="http://nesesarikakalulu.bandcamp.com/track/umpa">UmPa by Nesesari Kakalulu</a> Nesesari Kakalu

Radio Študent, 5. marec 2017 ― "Smoke Gets In Your Eyes" (Jerome Kern / T. B. Harms) - Ran Blake: Epistrophy. Soul Note 1991 "Eronel" (Thelonious Monk) - Ran Blake: Epistrophy. Soul Note 1991 "Nice Work If You Can Get It" (George Gershwin / Ira Gershwin) - Ran Blake: Epistrophy. Soul Note 1991 "Round Midnight" (Thelonious Monk / Charles Williams) - Ran Blake: Epistrophy. Soul Note 1991 "Misterioso" (Thelonious Monk) - Ran Blake: Epistrophy. Soul Note 1991 "Talking Trash" - Pascal Niggenkemper Le 7ème Continent: Talking Trash. Clean Feed Records 2016 "Ideonella Sakaiensis" - Pascal Niggenkemper Le 7ème Continent: Talking Trash. Clean Feed Records 2016 "Five eyes" - John Butcher / Andy Moor: Experiments With A Leaf. Unsounds 2015 "The tongue is a flame" - John Butcher / Andy Moor: Experiments With A Leaf. Unsounds 2015 "Motion" - Derek Bailey / Steve Noble: Out of the Past. Ping Pong Productions 2009 "Bright Moments" - Derek Bailey / Steve Noble: Out of the Past. Ping Pong Productions 2009 "Raw" - Derek Bailey / Steve Noble: Out of the Past. Ping Pong Productions 2009 "Rain Forest" - Samo Šalamon / Stefano Battaglia: Winds. Založba Klopotec 2016 "New Boy" - Bowrain. Samozaložba 2016 "White Jesus" - A Love Electric feat. John Medeski & Loli Molina: Psychmonde. Ropeadope Sur Records 2016 "Jungle Earth" - A Love Electric feat. Billy Martin & John Medeski: Psychmonde. Ropeadope Sur Records 2016 "Both of You" - A Love Electric: Psychmonde. Ropeadope Sur Records 2016   Idealni album: Misha Mengelberg Quartet [MM / Dave Douglas / Brad Jones / Han Bennink]: Four In One. Songlines Recordings 2001

Sodobna umetnost (Aljoša Abrahamsberg), 5. marec 2017 ― The exhibition Corporeality continues with the research and display of paintings, photography and video art in contemporary Slovenian culture, based on a selected theme or content. This is already the third selection and exhibition in which artists focus on a theme that is strongly present around us but perhaps underexposed. In this case, it is corporeality in its widest sense, of both animate and inanimate nature. The exhibition presents the following artists: Uroš Abram, Rajko Bizjak, Robert Černelč, Ana Čigon, Jurij Kalan, Tina Kolenik, Samo, Kamila Volčanšek. Place of the Exhibition is Mestna galerija Ljubljana. Visual art is to a large degree the art ofthe body, as its mission is to create images, which are most often connected with the body as the object of observation and the body of the viewer as the space in which observation takes place. In this kind of mutual relationship, the body –the medium or the original site of art –is manipulated into various positions, states and forms, as well as subjected to a variety of elaborations, representations and interpretations, whereas the artist – the agent performing the process of exploring the body – is the “place ofimages”, being left with the imagery he has created and repeatedly attempts to control. The body is a site of the greatest possible expressiveness and corporeality the result of a multitude of different body activities. In other words, corporeality entails a manipulation of the body froma static position or form into something dynamic, dramatic, vivid, and flexible. Through the creative process, corporeality itself becomes the primary medium of the narrative, information, and final impressions. Every individual uses the experience with his own body to gain new knowledge and sense about other subjects and determine their states as well as his (own) bodily position. A body cannot exist without the existence of at least two bodies, and mutual relations– present in a multitude of social,sociological and, wh

Radio Študent, 5. marec 2017 ― Clean Feed, 2017   V krogih, kjer je vedno aktualno odkrivati razredni boj na zunanji meji med glasbenimi žanri, je tako imenovana fuzija navadno nastopala kot zmerljivka. Izraz je označeval na primer prevzemanje najslabših lastnosti spojenih žanrov in pobeg kreativnosti v množičnost stadionskih koncertov. V besedi fuzija se skriva tudi bolj neposreden razlog za njegovo sumljivost, če v njem beremo zunanje spajanje dveh prvin, ki sta si sicer po neki logiki med seboj tuji in nepripadajoči. Kot brisanje nekih prirojenih razlik, ali na primer zgolj specifičen izraz za eklekticizem. A po tej poti pomen besede lahko tudi obrnemo in se s tem nekoliko približamo temu, kar počno Velkro, katerih ime tudi samo označuje nekakšen površinski spoj. Lahko na primer pomeni le zanikanje naravnosti določenih razlik, a v tem pomenu je fuzija izraz za v glasbi dandanes zelo razširjene prakse.  Že samo v domačih krogih smo na primer saksofonista Velkro, Boštjana Simona, slišali še v dveh zasedbah, ki bi ju lahko ohlapno označili s tem izrazom: Trus! in Litošt. V resnici je sicer le pri slednji zares možno nadaljevati predhodno refleksijo, kolikor je grupa uperjena proti določenim žanrskim preokupacijam in vsiljenim mejam. Fuzija, kakršno prinaša trojica Velkro, je precej bliže starejši spojki jazzovske improvizacije in rockovske zapacanosti, neki stari zgodbi torej, ki jo danes oživljajo na primer različni odvodi norveških Motorpsycho. V tem smislu Velkro - na tokrat že tretjem studijskem albumu lenobnega naslova - nadaljujejo nakazane prijeme brez notranjih pretresov.  S ploščkom Too Lazy To Panic, na katerem se Velkro vračajo kot varovanci dobro nam znane založbe Clean Feed, dobimo tako nadaljevanje neke že od njenega začetka dobro definirane zgodbe. Ta je na svoj način porazdeljena predvsem med mehko fraziranje Boštjana Simona na saksofonu in kitarsko distorzijo Stephana Meidella, ki jima povsem neproblematično stoji ob strani Luís Candeias na bobnih. Vendar je ta